Film Program Cannes Links

Academy of Television Arts and Sciences (www.emmys.org)
The Academy of Television Arts & Sciences Foundation utilizes the resources and membership of the Television Academy to develop and sponsor educational and archival programs addressing a variety of issues including career guidance, student achievement, personal skill development, diversity and the documentation of television's evolution. The Foundation is a non-profit organization with a primary focus to use the history and artistry of television to preserve our past for posterity and to guide those who will be our future. The Emmy Awards are administered by three sister organizations; the Academy of Television Arts & Sciences, the National Academy of Television Arts & Sciences, and the International Academy of Television Arts & Sciences.

Alliance for Community Media (www.alliancecm.org )
ACM is committed to assuring everyone’s access to electronic media, through public education, a progressive legislative and regulatory agenda, coalition building and grassroots organizing. It is a nonprofit, national membership organization that publishes a community media directory, lists cable access across US, and connects public access and community service groups.

American Federation of Television and Radio Artists (AFTRA) (www.aftra.com)
AFTRA is a national labor union representing nearly 80,000 performers, journalists and other artists working in the entertainment and news media. It covers broadcast, public and cable television (news, sports and weather; drama and comedy, soaps, talk and variety shows, documentaries, children's programming, reality and game shows); radio (news, commercials, hosted programs); sound recordings (CDs, singles, Broadway cast albums, audio books); "non-broadcast" and industrial material as well as Internet and digital programming. AFTRA members perform in television and radio advertising, non-broadcast video, audio books and messaging, and provide their skills for developing technologies such as interactive games and Internet

American Film Institute (AFI) (www.afi.com)
AFI is a national institute providing leadership in screen education and the recognition and celebration of excellence in the art of film, television and digital media. AFI trains the next generation of filmmakers at its world-renowned Conservatory, maintains America's film heritage through the AFI Catalog of Feature Films, and explores new digital technologies in entertainment and education through AFI's New Media Ventures. As the largest nonprofit exhibitor in the US, AFI ON SCREEN encompasses the annual AFI FEST presented by Audi: AFI Los Angeles International Film Festival and SILVERDOCS: AFI/Discovery Channel Documentary Festival, while offering year-round programming at ArcLight Hollywood and the AFI Silver Theatre and Cultural Center in Silver Spring, Maryland.
Association of Film Commissions International (AFCI) (www.afci.org)
AFCI is the official professional organization for film commissioners who assist film, television and video production throughout the world. It is a non-profit educational association whose members serve as city, county, state, regional, provincial or national film commissioners for their respective governmental jurisdictions. There are more than 300 AFCI-Member Film Commissions worldwide, covering almost every continent, helping producers find the right locations for their projects.

Association of Independent Commercial Producers (AICP) (www.aicp.org)
The organization represents the interests of U.S. companies that specialize in producing commercials on various media - film, video, computer - for advertisers and agencies. AICP members account for 85% percent of all domestic commercials aired nationally, for traditional broadcast channels or non-traditional use. AIVF supports and advocates for individuals in the media arts fields by providing resources. It offers levels of membership, and a subscription to The Independent, as well as access to group insurance plans, discounted goods, information services, discounted admission to events, alerts, voting privileges, member-only website, and networking opportunities.

Association of Independent Video & Filmmakers (AIVF) (www.aifv.org)
AIVF supports and advocates for individuals in the media arts fields by providing resources. It offers levels of membership, and a subscription to The Independent, as well as access to group insurance plans, discounted goods, information services, discounted admission to events, alerts, voting privileges, website, and networking opportunities.

The Broadcast Education Association (BEA) (www.beaweb.org)
BEA is the professional association for professors, industry professionals and graduate students who are interested in teaching and research related to electronic media and multimedia enterprises. There are currently more than 1,400 individual and institutional members. The BEA has been responding to broadcast education since 1955.

The Center for Communication (www.cencom.org) An independent media forum, launched in 1980 by former CBS president Dr. Frank Stanton and Museum of Television & Radio president, the late Dr. Robert Batscha, to bridge the gap between the communications industry and the schools. The Center, supported by the industry, is nonprofit and nonpartisan, and exposes young people to the issues, ethics, people, and creative product that define the media business. It offers students interested in media careers a unique opportunity to learn about the world of communications, and is completely dedicated to preparing tomorrow's media professionals for future careers by connecting college and university students to the most dynamic and successful people from all fields of the industry for an insider's perspective on the communications business.

Directors Guild of America (DGA) (www.dga.org)
The DGA is a union that represents more than 12,000 members working in U.S. cities and abroad. Their creative work is represented in theatrical, industrial, educational and documentary films and television, as well as videos and commercials. The website is a valuable resource for contract information, payment rates, and links.

IATSE (www.iatse.org)
The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its territories and Canada represents stage hands and projectionists, and other crafts persons in branches of the entertainment industry, including motion picture and television production, product demonstration and industrial shows, conventions, facility maintenance, casinos, audio visual, and computer graphics. It is the largest labor union in the entertainment industry.

International Documentary Association (IDA) (www.documentary.org) IDA promotes non-fiction film and video around world; supports efforts of filmmakers; increases public awareness and demand for projects; provides a forum for filmmakers and their supporters. Members have access to special events, discounted services, and fellow filmmakers and supporters. The monthly magazine provides in-depth articles, glossaries, and contact information, and its websites contains links for festivals and resources.
The Independent Film & Television Alliance ® (IFTA) (www.ifta-online.org) Formerly known as the American Film Marketing Association (AFMA®), IFTA is the trade association for the independent film and television industry. Its global membership distributes internationally (and often produces and finances) the films and television programs that are produced outside of the seven major U.S. studios. Members control the exploitation of their programs by licensing on a territory-by-territory basis to third-party national distributors, rather than through corporate networks. These economic characteristics define the world's independent industry.

The Independent Television Service (ITVS) (www.itvs.org)
A bridge between producers and public television, ITVS provides a comprehensive service including funding, creative development, feedback during production and - unique to ITVS - a comprehensive public television launch which includes marketing, publicity, website, station relations and outreach support. ITVS also publishes a semi-annual magazine, Beyond the Box, as well as an on-line version, as well as an on-line version, Beyond the Box Monthly.

International Radio & Television Society (IRTS) (www.irts.org)
The IRTS evolved from an organization founded in 1939 to provide education and dialogue about important communication issues. As the industry confronts change at every level, the need for a forum capable of helping create a shared body of knowledge and information continues to grow. The Foundation offers New York City-based educational luncheons, seminars, and workshops that cater to a diverse range of media interests and demographics. It believes education is a life-long process that is best achieved through first-hand knowledge, and also offers a summer fellowship program and a minority career workshop.

The Media Communications Association-International (www.mca-i.org)
MCA-I is a global community that provides opportunities for networking, members-only benefits, forums for education and the resources for information to media communications professionals. It is a not-for-profit, member-driven organization that offers media professionals the connections needed to succeed in a highly competitive environment.

The National Association of Broadcasters (NAB) (www.nab.org)
NAB is a full-service trade association that represents the interests of free, over-the-air radio and television broadcasters.

National Association of Television Programming Executives (NATPE) (www.natpe.org)
NATPE provides valuable information and resources to its membership, which is comprised of companies and individuals involved in or wanting to become involved with the creation, development and distribution of television programming. This trade organization offers relevant resources, and numerous benefits aimed at students. It is an excellent starting point for anyone interested in learning more about TV programming.

National Council of Nonprofit Associations (www.ncna.og)
NCNA is an alliance of state associations that focuses on the nonprofit world. It provides advocacy for nonprofits, and access to media lists for their state. NCNA speaks for nonprofits and keeps the public informed of their interests. Membership is required.

Producers Guild of America (PGA) (www.pga.org)
The PGA represents, protects, and promotes the interests of all members of the producing team. Its primary goals are combating credit proliferation, expanding health benefits, and representing the entire producing team that consists of all those whose interdependency and support of each other are necessary for the creation of motion pictures and television programs. The producing team is comprised of Producers and all those on the career path toward becoming Producers.

The Screen Actors Guild (SAG) (www.sag.org)
SAG is the nation’s premier labor union representing actors. Established in 1933, SAG has a rich history in the American labor movement, from standing up to studios to break long-term engagement contracts in the 1940s to fighting for artists’ rights amid the digital revolution of the 21st century. With 20 branches nationwide, SAG represents nearly 120,000 actors in film, television, industrials, commercials and music videos. It exists to enhance actors’ working conditions, compensation and benefits and to be a powerful, unified voice on behalf of artists’ rights. SAG is an affiliate of the AFL-CIO.

The Society of Motion Picture and Television Engineers (SMPTE) (www.smpte.org)
SMPTE is recognized as the global leader in the development of standards and authoritative practices for film, television, video and multimedia. To accomplish its educational goals, SMPTE organizes annual conferences and seminars, and publishes the SMPTE Journal that features technical papers, tutorials, practical application articles, standards updates and SMPTE Section Reports.

The Writers Guild of America (WGA) (www.wga.org)
The WGA is the sole collective bargaining representative for over 10,000 writers in the motion picture, broadcast, cable, interactive and new media industries. It has numerous affiliation agreements with other U.S. and international writing organizations and is in the forefront of the debates concerning economic and creative rights for writers. The website is a valuable resource for contract information, payment rates, and software recommendations for writing scripts and scheduling production.

The SPIN Project (www.spinproject.org )
The SPIN Project includes a national list of journalists who are covering various issues, sparking debate and discussion about current events in the news. Provides training and media technical assistants to non-profits.

The link page is always "a "Work-In-Progress"Please link to our site: Place our FPC logo (left) and link to ( http://www.film-program-cannes.com) and please send us your links!



	The page is always "a "Work-In-Progress"Please link to our site: Place our logo to the left and link to (http://www.film-program-cannes.com) and please send us your links! What They Are Saying! The Film Program Cannes sister organization: International Shorat-form Video Association dba:"ISFA" International Short Film Association Digital Hollywood Conference Los Angeles FPC Attendee Maria Laura Ruggiero's web site http://www.seirenfilms.com StreamCast Networks Morpheus & Morpheus Ultra Hollywood Reporter Screen Actors Guild (SAG) Directors Guild of America (DGA) MIPCOM- Film/Television Market NEW! MIPCOM ON FILM Film professionals represent an increasingly important MIPCOM contingent. Accordingly, from this October, our brand new MIPCOM on Film initiative will underline the week’s true value for this sector - notably in terms of selling film rights for traditional and new platforms and in the growing sector of digital film distribution – through a series of special events, publications and conferences MIPDOC- Film/Documentary Market "The key to pushing the *documentary genre* forward is the existence of filmmakers who have strong vision and are burning to tell a story... their way" Robert Redford. Internationally-renowned actor director and founder of the Sundance Channel. MIPTV featuring MILIA theTelevision and Interactive Media Markets Shooting People UK/NYC/LA/SF INTERNET MOVIE DATABASE MANDY'S INTERNATIONAL FILM & TV PRODUCTION DIRECTORY FLICKER *Flicker, home for the alternative cinematic experience. Here you will find films and videos that transgress the boundaries of the traditional viewing experience, challenge notions of physical perception and provide cutting edge alternatives to the media information technocracy. - ATOMFILMS.COM* Atom Films® brings you the web's best short films, online movies and video clips. Don't miss our new releases every Tuesday. Get e-mail updates or RSS updates. INDEPENDENT FEATURE PROJECT INDIETALK INDIEWIRE http://www.dvdfile.com/ University Film and Video Association (UFVA) (www.ufva.org) This organization is a networking venue of approximately 800 members in the field. Various levels of membership provide access to annual conference, research, and instruction, the UFVA Digest, the Member Directory, participation at its festival, monographs, and links. A resource for students to get involved with people who are active filmmakers, and to submit their own work for critique and festival opportunities The links page is always "a "Work-In-Progress" Please link to our site: Place our FPC logo (left)and link to http://www.film-program-cannes.com and please send us your links!

			Filmmaking/Entertainment Oranizations Academy of Television Arts and Sciences (www.emmys.org) The Academy of Television Arts & Sciences Foundation utilizes the resources and membership of the Television Academy to develop and sponsor educational and archival programs addressing a variety of issues including career guidance, student achievement, personal skill development, diversity and the documentation of television's evolution. The Foundation is a non-profit organization with a primary focus to use the history and artistry of television to preserve our past for posterity and to guide those who will be our future. The Emmy Awards are administered by three sister organizations; the Academy of Television Arts & Sciences, the National Academy of Television Arts & Sciences, and the International Academy of Television Arts & Sciences. Alliance for Community Media (www.alliancecm.org ) ACM is committed to assuring everyone’s access to electronic media, through public education, a progressive legislative and regulatory agenda, coalition building and grassroots organizing. It is a nonprofit, national membership organization that publishes a community media directory, lists cable access across US, and connects public access and community service groups. American Federation of Television and Radio Artists (AFTRA) (www.aftra.com) AFTRA is a national labor union representing nearly 80,000 performers, journalists and other artists working in the entertainment and news media. It covers broadcast, public and cable television (news, sports and weather; drama and comedy, soaps, talk and variety shows, documentaries, children's programming, reality and game shows); radio (news, commercials, hosted programs); sound recordings (CDs, singles, Broadway cast albums, audio books); "non-broadcast" and industrial material as well as Internet and digital programming. AFTRA members perform in television and radio advertising, non-broadcast video, audio books and messaging, and provide their skills for developing technologies such as interactive games and Internet American Film Institute (AFI) (www.afi.com) AFI is a national institute providing leadership in screen education and the recognition and celebration of excellence in the art of film, television and digital media. AFI trains the next generation of filmmakers at its world-renowned Conservatory, maintains America's film heritage through the AFI Catalog of Feature Films, and explores new digital technologies in entertainment and education through AFI's New Media Ventures. As the largest nonprofit exhibitor in the US, AFI ON SCREEN encompasses the annual AFI FEST presented by Audi: AFI Los Angeles International Film Festival and SILVERDOCS: AFI/Discovery Channel Documentary Festival, while offering year-round programming at ArcLight Hollywood and the AFI Silver Theatre and Cultural Center in Silver Spring, Maryland. Association of Film Commissions International (AFCI) (www.afci.org) AFCI is the official professional organization for film commissioners who assist film, television and video production throughout the world. It is a non-profit educational association whose members serve as city, county, state, regional, provincial or national film commissioners for their respective governmental jurisdictions. There are more than 300 AFCI-Member Film Commissions worldwide, covering almost every continent, helping producers find the right locations for their projects. Association of Independent Commercial Producers (AICP) (www.aicp.org) The organization represents the interests of U.S. companies that specialize in producing commercials on various media - film, video, computer - for advertisers and agencies. AICP members account for 85% percent of all domestic commercials aired nationally, for traditional broadcast channels or non-traditional use. AIVF supports and advocates for individuals in the media arts fields by providing resources. It offers levels of membership, and a subscription to The Independent, as well as access to group insurance plans, discounted goods, information services, discounted admission to events, alerts, voting privileges, member-only website, and networking opportunities. Association of Independent Video & Filmmakers (AIVF) (www.aifv.org) AIVF supports and advocates for individuals in the media arts fields by providing resources. It offers levels of membership, and a subscription to The Independent, as well as access to group insurance plans, discounted goods, information services, discounted admission to events, alerts, voting privileges, website, and networking opportunities. The Broadcast Education Association (BEA) (www.beaweb.org) BEA is the professional association for professors, industry professionals and graduate students who are interested in teaching and research related to electronic media and multimedia enterprises. There are currently more than 1,400 individual and institutional members. The BEA has been responding to broadcast education since 1955. The Center for Communication (www.cencom.org) An independent media forum, launched in 1980 by former CBS president Dr. Frank Stanton and Museum of Television & Radio president, the late Dr. Robert Batscha, to bridge the gap between the communications industry and the schools. The Center, supported by the industry, is nonprofit and nonpartisan, and exposes young people to the issues, ethics, people, and creative product that define the media business. It offers students interested in media careers a unique opportunity to learn about the world of communications, and is completely dedicated to preparing tomorrow's media professionals for future careers by connecting college and university students to the most dynamic and successful people from all fields of the industry for an insider's perspective on the communications business. Directors Guild of America (DGA) (www.dga.org) The DGA is a union that represents more than 12,000 members working in U.S. cities and abroad. Their creative work is represented in theatrical, industrial, educational and documentary films and television, as well as videos and commercials. The website is a valuable resource for contract information, payment rates, and links. IATSE (www.iatse.org) The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, its territories and Canada represents stage hands and projectionists, and other crafts persons in branches of the entertainment industry, including motion picture and television production, product demonstration and industrial shows, conventions, facility maintenance, casinos, audio visual, and computer graphics. It is the largest labor union in the entertainment industry. International Documentary Association (IDA) (www.documentary.org) IDA promotes non-fiction film and video around world; supports efforts of filmmakers; increases public awareness and demand for projects; provides a forum for filmmakers and their supporters. Members have access to special events, discounted services, and fellow filmmakers and supporters. The monthly magazine provides in-depth articles, glossaries, and contact information, and its websites contains links for festivals and resources. The Independent Film & Television Alliance ® (IFTA) (www.ifta-online.org) Formerly known as the American Film Marketing Association (AFMA®), IFTA is the trade association for the independent film and television industry. Its global membership distributes internationally (and often produces and finances) the films and television programs that are produced outside of the seven major U.S. studios. Members control the exploitation of their programs by licensing on a territory-by-territory basis to third-party national distributors, rather than through corporate networks. These economic characteristics define the world's independent industry. The Independent Television Service (ITVS) (www.itvs.org) A bridge between producers and public television, ITVS provides a comprehensive service including funding, creative development, feedback during production and - unique to ITVS - a comprehensive public television launch which includes marketing, publicity, website, station relations and outreach support. ITVS also publishes a semi-annual magazine, Beyond the Box, as well as an on-line version, as well as an on-line version, Beyond the Box Monthly. International Radio & Television Society (IRTS) (www.irts.org) The IRTS evolved from an organization founded in 1939 to provide education and dialogue about important communication issues. As the industry confronts change at every level, the need for a forum capable of helping create a shared body of knowledge and information continues to grow. The Foundation offers New York City-based educational luncheons, seminars, and workshops that cater to a diverse range of media interests and demographics. It believes education is a life-long process that is best achieved through first-hand knowledge, and also offers a summer fellowship program and a minority career workshop. The Media Communications Association-International (www.mca-i.org) MCA-I is a global community that provides opportunities for networking, members-only benefits, forums for education and the resources for information to media communications professionals. It is a not-for-profit, member-driven organization that offers media professionals the connections needed to succeed in a highly competitive environment. The National Association of Broadcasters (NAB) (www.nab.org) NAB is a full-service trade association that represents the interests of free, over-the-air radio and television broadcasters. National Association of Television Programming Executives (NATPE) (www.natpe.org) NATPE provides valuable information and resources to its membership, which is comprised of companies and individuals involved in or wanting to become involved with the creation, development and distribution of television programming. This trade organization offers relevant resources, and numerous benefits aimed at students. It is an excellent starting point for anyone interested in learning more about TV programming. National Council of Nonprofit Associations (www.ncna.og) NCNA is an alliance of state associations that focuses on the nonprofit world. It provides advocacy for nonprofits, and access to media lists for their state. NCNA speaks for nonprofits and keeps the public informed of their interests. Membership is required. Producers Guild of America (PGA) (www.pga.org) The PGA represents, protects, and promotes the interests of all members of the producing team. Its primary goals are combating credit proliferation, expanding health benefits, and representing the entire producing team that consists of all those whose interdependency and support of each other are necessary for the creation of motion pictures and television programs. The producing team is comprised of Producers and all those on the career path toward becoming Producers. The Screen Actors Guild (SAG) (www.sag.org) SAG is the nation’s premier labor union representing actors. Established in 1933, SAG has a rich history in the American labor movement, from standing up to studios to break long-term engagement contracts in the 1940s to fighting for artists’ rights amid the digital revolution of the 21st century. With 20 branches nationwide, SAG represents nearly 120,000 actors in film, television, industrials, commercials and music videos. It exists to enhance actors’ working conditions, compensation and benefits and to be a powerful, unified voice on behalf of artists’ rights. SAG is an affiliate of the AFL-CIO. The Society of Motion Picture and Television Engineers (SMPTE) (www.smpte.org) SMPTE is recognized as the global leader in the development of standards and authoritative practices for film, television, video and multimedia. To accomplish its educational goals, SMPTE organizes annual conferences and seminars, and publishes the SMPTE Journal that features technical papers, tutorials, practical application articles, standards updates and SMPTE Section Reports. The Writers Guild of America (WGA) (www.wga.org) The WGA is the sole collective bargaining representative for over 10,000 writers in the motion picture, broadcast, cable, interactive and new media industries. It has numerous affiliation agreements with other U.S. and international writing organizations and is in the forefront of the debates concerning economic and creative rights for writers. The website is a valuable resource for contract information, payment rates, and software recommendations for writing scripts and scheduling production. The SPIN Project (www.spinproject.org ) The SPIN Project includes a national list of journalists who are covering various issues, sparking debate and discussion about current events in the news. Provides training and media technical assistants to non-profits. The link page is always "a "Work-In-Progress"Please link to our site: Place our FPC logo (left) and link to ( http://www.film-program-cannes.com) and please send us your links!