Film Progam Cannes Scholarships and Interships


	The largest, most exciting international gathering of entertainment professionals is the Cannes Film Festival and Market on the French Riviera, with 40,000 film professionals in attendance.
			Quotes from past scholarship application emails: your attached CV or mini bio are over 60% of the points for gettiing the free or partial scholarships. "why/how " ****************************** I feel The Film Programme Cannes Intensive is the catapult I have been looking for to get me to that next level. That level where I can learn to meld all my cinematic passions, business knowledge, distribution skills, and pure love of film into a uniquely visual cinematic product. **************************** I have always been interested in the financial side of filmmaking, but the workload of writing and directing prevents me from any hands on production involvement. I'm determined to put this right with the help of the film Program Cannes Intensive **************************** Although I am an independent filmmaker who specializes in short films. I have always wanted to expand my film career into feature films. I have written a couple screenplays that I would like to be produced. Therefore I feel the Cannes Film program will be the perfect program to explore and learn the film market **************************** My reason for wanting to participate on the above course is that I believe that being armed with more knowledge could only aid my ability to use a script to raise funds by being able to point out potential markets and making it attractive to potential buyers or financiers, and this can be helped, a great deal, by my being able to expand my international film industry experience - an area which the course will expose to me. **************************** Although I received a very sound education in terms of aesthetics and technical skills, film school has left me with a large gap in terms of not really knowing how the film industry actually works. I'm very excited with drawing up plans for new projects, and have some confidence that I'll be able to fulfill those plans, but without the actual knowledge of the world of film production I'm not so sure. That said I feel that I have everything to learn, and as a Canadian I also feel that it's very important that I reach out and meet filmmakers from other countries. The place where I live, Montreal, which is predominantly a French-speaking city, could be a natural hub for international film production, rather than simply a cheap location for American filmmakers who want to recreate New York City on film, and I definitely feel an impulse to foster that sense of an international community by cultivating relationships with filmmakers from around the world. As a filmmaker I really want to be myself by making films that move me and that I think will move others. This is a universal language, and should be shared by everyone in all countries. **************************** I understand, however, that I am still young and have much to learn. I believe that the Film Program Cannes will offer me strong guidance, important knowledge, and priceless networking opportunities. The Producing/Funding intensive seems likes an amazing opportunity for a dedicated and enthusiastic filmmaker such as I. It is an opportunity that I would embrace with open arms, a passionate heart, and a sharp mind. **************************** I have a very strong entrepreneurial quality and business savvy that when given the opportunity, I can surely excel. It is from this perspective combined with my humanitarian and creative visions that I would like for you to consider in reviewing my application. Nothing that I learn goes wasted, and I would be more than grateful to be granted an opportunity to gain powerful tools to produce and finance films from a professional, marketing and industry perspective. **************************** The posting for the scholarship states that the main considerations for the scholarships are a passion for cinema and a strong desire to be a life long filmmaker. I submit that my actions -- stepping away form a successful position to take this chance, as well as my long time demonstrated commitment to the performing arts -- demonstrate both those considerations. **************************** While I've had critical success in all of my films, I've not been able to reach my target audience. I am about to embark on a first feature-length narrative film project and I need guidance in how to package my work in the contemporary film market. My desire to make films is to engage the audience in questioning how they see under represented individuals and issues and to encourage viewers to open themselves up to redefinitions based on acknowledgements of power relations. Storytelling is an important way in which we make sense of the world and our place within it. The choice of which stories get told dictates what histories and ideas are made tangible. Becoming a strong producer will enable me to carry out my commitment to make the kinds of films that give new voice to those stories that have been invisible and silent. I've recently discovered that it's not just about what stories get shown and told, it's if we see and hear them at all. ****************************** I see filmmaking as an unique art to express yourself and your ideas in various ways. It is a wonderful combination fo different people sharing manifold talents to obtain the hightes result. Be it the human or the technical aspect, it brings together countless sides of creativity. For me, as a determined filmmaker, this course is a fantastic opportunity for network possiblities as well as a priceless exploration about the functions and tactics of the film market.
	Scholarship & Internship Opportunities for the 2010 Film Program Cannes Master Class Intensive in Film Producing The scholarships honor our attendees' detirmination and the Program's eighth year. How to Apply for the scholarships & internship: It is a simple process to apply: send by email to the Film Program Cannes pat@film-program-cannes.com your reasons why/how the scholarship will help you move your filmmaking career forward or benefit your filmmaking goals. You can read selected past entries on the right of this page ------> email Your request Application: The email application does not need to be long or detailed just answer the question: How will attending the Master Funding/Producing Course help you? We are also interested in your thoughts on how the Film Program Cannes is different from other producing/funding workshops/courses. Note: See course details below--i.e. it takes place during a major film market (Cannes). It will help your application if you have read the information on the Master Workshop. This is not a "needs-based" scholarship but descriptions of strategies used to overcome roadblocks can be included. Be sure to attach a CV and/or short Bio. Please state whether you are applying for scholarships or internship. Scholarships terms: Scholarship winners will pay only 380 Euros for the Master Class--this is approximately 36% of the 600 Euro regular fee. Attendees must be at least 20 years of age. The Film Program Cannes *is not an official* part of the Cannes Film Festival and Marche du Film. Email us your appications or questions to pat@film-program-cannes.com To read what past attendees have to say about the Film Program Cannes "Intensive" CLICK. A description of the intensive master workshop is below: Film Production and Producing, Understanding and Use of the Contemporary Film Marketplace Course Objective The core course of the Cannes Intensive Workshop is intended to provide a working understanding of the contemporary film market with an emphasis on how the film producer or executive functions in the market place to optimize the recoupment of funds invested in a film. The strategies and mechanics of successfully bringing films to the market place and negotiating and closing distribution contracts lies at the core of the course. We will also explore how an independent producer or film company executive utilizes the market to secure financing for future projects or slates of films. The emphasis of the course is on narrative feature films, which is the dominant focus of the Cannes Market. Documentary and short films are marketed in similar ways but primarily at different markets that are focused on these genres. Course Design The course is primarily designed for beginning producers and film production executives with a working knowledge of film production who intend in the future to either bring completed films to market or utilize the market to secure financial commitment for future projects. The course content can also be extremely useful for writers and directors in understanding how content and packaging will impact upon the potential funding and financial return for a film project. The course will meet for intensive day long sessions prior to the opening of the market. During these sessions the emphasis will be on the acquisition of knowledge necessary to understand the workings of the market. After the festival and market begin the course will meet in the morning to examine the news and trends that are actually developing in the market. An examination of daily market news published in the trades will keep serve to develop market skills. Participitants will be expected to engage the market by meeting with sellers and buyers to better understand the process and the success and failures in the market place. Course Outline The first part of the core course is divided in to five basic modules that will be delivered prior to the opening of the festival. Once the festival begins the emphasis will shift to what is actually occurring in the marketplace as events unfold. Most producing courses begin with the finding of material, however this course begins with an examination of how films recoup investment. If one begins with this understanding one is much more likely to have success. The course is based on the philosophy that if one has a good script, a good cast will follow. If one has a good script and a good cast, then the financing will follow, if the project is appropriately budgeted for the value offered with the script and cast. It really is that simple, but.....finding a good script and attaching a good cast turns out to be far more difficult than actually securing the financing. That is the trick. Attendee comments: Without reservation, I highly recommend this course. " from a writer/director 2006 attendee from Los Angeles, California more attendee comments click>>>. The Course Details Film Production and Producing, Understanding and Use of the Contemporary Film Marketplace Part 1: The 5 Basic Modules 1) Understanding the Film Industry and Film Markets Course Introduction Understanding Foreign Sales and pre-sales Licenses vs. Sales Licenses and sales agreements Foreign Delivery Requirements Market research and strategies Genres and foreign sales Star power - still a star system 2) Finding, Developing and Packaging for the Investment Market Finding material Original scripts vs. stories based on other material Options - strategies and agreements - Chain of Title Writing and rewriting - Writers' agreements Dealing with writers' representation Negotiations Packaging Final Script as part of contractual obligations Attaching Director Attaching Key Cast and other elements - Lead Preliminary Budget as a function of project scope and cast 3) Preparing the Financials of the Package, Contracts, Legal Preliminary Production Schedule - Prior to Final Budget Shooting schedule and Board prepared by producer Introduction to Scheduling Software Production Management Considerations Preparation of Full Production Budget Schedule folded into accurate budget Introduction to Budgeting Software Multiple Budget Strategies Hi-Lo Analysis of schedule and location changes on budget Production Financing Industry vs. Private monies Legal entities - Corporation - LLC Bifurcated financing - Banking contracts - Cash Flow Guarantors and gap financing based on pre-sales 4) The Producer's Functions During the Making of the Film Role of Producer in Pre-Production Relationship with Director and Casting Director Storyboards and their function Banking, accounting, auditing and chart of accounts Union and Guild Negotiations - wavers - union deferrals Crew considerations and hiring Locations and scouting - Location contracts Music and licenses for music on camera The Production Management team AD PM POC DP Production Paperwork and record keeping Product clearances and Product Placement Rehearsal and the care and feeding of talent Role of Producer in Production and Post-production Making the schedule Production reports Cost Reports and the Completion Bond Company Facilitating production and staying out of trouble Continued care and feeding of Director and cast Director's cut and then final picture lock Music - composer, underscore, Master and Synch Licenses Sound packages and mix Laboratory Finishing 5) Completion & Delivery, Festivals and Marketing the Film Completing the Film Delivery Requirements Physical Delivery IP IN M&E Video Mastering Legal and Contract Document Delivery Preparation of marketing materials Key Art Foreign delivery Marketing strategies and publicity Publicity agencies RegisterPress Kits Completion & Delivery, Festivals and Marketing the Film Preparing for the Market Research and identifying distributors by territory Seeding the market Market materials and plans Heading to market, office and communications Sales negotiations ask and take prices by territories Talent availability and support and press relationships Closing deals and financial and banking arrangements Part 2: Market/Festival Activies & Daily Evaluation Review of Daily Trades Screen International, Variety, Hollywood Reporter, and Moving Pictures Q & A: Previous Day's Festival and Market trends and What's Next? FPC Intensive attendees join their Festival/Market activies of choice. Meetings, panels, research Buyers and sellers, and research film commissions and financial incentives. Registration is Open for the May 2010 Film Program Cannes Master Class Intensive in Film Producing! Register NOW CLICK
			`"... independent producer or film company executive utilizes the market to secure financing for future projects or slates of films."` This FPC Master Course gives you the information you need that will save years in your career in selling a film to a distributor. If you come fully prepared your involvement will also save years by use of a proper selling "Package" CLICK TO REGISTER NOW FOR THE SPECIAL LOW "FILMMAKER GROUP" RATE To Register and hold your place in the workshop and lodging CLICK: